Reclaiming Pakli
This week, my parents visited my cousin as he performed in his school play. I phoned on their drive home, and we got to talking about school plays I’d been in.
I went to a Jewish elementary and middle school, and most of the performances were in a combination of Hebrew and English. I was one of the top in the class in Hebrew, and always hoped this would catapult me into a lead role where people would have a chance to see me shine instead of the ordinary life where I was either getting bullied or fading into the background.
The most I ever got out of one of our singing shows was a single line from a song in “Hair” that was too high for me to reach the proper notes, but I practiced and tried my best and was overly pleased to wear a blue pixie cut wig on stage.
Then, in eighth grade, there came an opportunity to perform in a play entirely in Hebrew. Knowing that I wouldn’t get cast for singing ability or for teachers liking me, I did know that they needed people who could memorize lines in Hebrew and say them correctly. I thought that would be my way in since there would be no way to fake it like in some of the other performances.
The play was The Jungle Book, specifically the Israeli version, which has some differences to the American one. I hoped to play Baloo the bear, but I wasn’t disappointed when I wound up with a pretty big role from the Israeli script - Pakli, a squirrel.
Pakli served the role of narrator, which meant I got a lot of lines - including the very first part of the play. I got to interact with basically every other character and had some really fun physical acting, including a little dance to a song from “Mission Impossible.” I even had my own props - sticks and acorns designed just for me.
At the time, the only thing that upset me was that I was supposed to have a lead role in a song, but that was taken away from me and given to someone else who could never get the words right. I was told this was because I was a bad singer - but I knew I was good at talking, and no one tried to touch my monologues.
Over the course of the rehearsals, I started to like squirrels very much. I hadn’t really noticed them before, but they were quickly becoming one of my favorite animals and a continuation of a longstanding tradition of animals as positive obsessions. Today, you’re likelier to hear me squeal about goats, cows, and puppies, but back then, squirrels were the coolest animals in the world and I got to pretend to be one on stage.
I felt like a star. Even though the other kids in the show didn’t like me any better, I still got to perform in front of people - something I still find a thrill in now through improv and musicals.
Little did I know that when the curtains opened, my parents were angry.
Not at me - and I had no idea at all. They were supportive and loving, and it took fifteen years until we had a conversation this week about why they were mad about my part in the play.
I was surprised to hear this. After all, I still have a photo from the performance - the first time I ever wore makeup - and tell people about how heavy the life-size squirrel tail was for someone my height. I was proud of myself for having so many lines in my second language and memorizing them all.
But then, my mom pointed out the most obvious features about Pakli - that were also the most obvious things about me when I was that age: Pakli the squirrel never shuts up, and is constantly belittled and shut down by others around her.
I honestly never considered this when I took the part, and when I think about it now, I’m pretty sure I know why: I was completely used to being treated like this. I knew I talked all the time but had such a hard time not doing it, since whenever I wasn’t talking I was caught in an endless loop of obsessions and compulsions. Talking about my positive obsessions was my way out, even if I didn’t have the language to explain it.
And I knew that everyone hated it, and me by extension. I knew my teachers hated that I wanted to be involved in everything and do extra homework and socialize with them because they weren’t as cruel as the kids. And the kids were even worse - including the ones who told Pakli to shut up in the play.
I never saw anything unusual in playing Pakli that way because that was just my life. I had family members who listened to me and treated me kindly, but for the most part, I was used to being the person who talks too much, can’t help it, and is shunned for that.
I didn’t understand at the time that my mom was in frequent wars with my school, and the part of Pakli was meant as an insult - to call me out on stage for being the annoying person I was every day, always bothering people. I didn’t know until fifteen years later, when we talked on the phone and my first experience of being on stage became tainted.
The good thing is, I don’t plan to let it stay that way. I am going to process this like I do everything else, and quickly move on. I know who I was then and who I am now, and as someone with more experience sharing about these issues, I hope I can help others speak up about the way they are perceived and treated.
And in the meantime, I’m going to continue to love the heck out of squirrels. My most powerful Magic: The Gathering deck is based around amassing a squirrel army and I’m known for the strength of my “squarmy” in game stores across the Chicagoland area. I have a signed Squirrel Girl comic book and enjoy looking for squirrels on my frequent walks. I find it entertaining that I’m a squirrel fan who’s allergic to nuts - and less entertaining that several years ago, squirrels broke into the engine in my car and wrecked it.
Casting me as Pakli may have been meant as an insult, but I can choose to remember the joy I felt of being on stage, of being the first voice anyone heard in the play, of being the one who everyone was looking at and listening to. I can move forward to other roles in theater projects where I am treated well, and although Pakli will always be my first role, I am learning and evolving every day to become a person who is both me and socially acceptable.
Michelle Cohen, a writer in the Chicago area, was diagnosed with OCD at age 3. She hopes to educate others about her condition and end the stigma against mental illness.